by Teresa | Jul 26, 2017 | Articles
I get it that, in fiction, dramatic events need to be shown in scene. A single point-of-view character wants something and strives against obstacles to get it—all shown in the real-time of the story. And mundane events need to be... 
by Teresa | Jan 17, 2017 | Articles
“…but I know it when I see it—” Subtext can be hard to define, but it’s worth the effort. It makes room for the part of a scene the intelligent reader brings to the story. Of course, the expertise of the clever-and-confident author sparks the reader’s contribution.... 
by Teresa | Jan 8, 2017 | Articles
Get Inside Your Character’s Head At the start of a story, I like to be very deep inside my character because I hope my readers will empathize with the character and come along for the story journey. I practice seeing through his eyes. Depending on how my character is... 
by Teresa | Dec 26, 2016 | Articles
Reading time: 3 minutes Blank pages are not scary (A mantra to chant while you shower.) The next time you’re faced with another beginning writing session, consider this strategy. Don’t lose a moment; show those naked passages who’s boss, and whip out your handy-dandy... 
by Teresa | Oct 19, 2016 | Articles
Reading time: 4 minutes When I’m editing fiction or nonfiction, one of the most common speed bumps I trip on is The Simultaneous Action Problem (SAP). Sounds serious, right? It’s not. It’s also known as the AS/While Issue, and it’s just a speedbump. It happens when...
